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THE ALGONQUIN HARBINGER
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THE ALGONQUIN HARBINGER
NEWS
In-depth
Profile
OPINION
The Great Debate
Editorial
Politics
Senior Issue
A&E
Review
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Food
Movies & TV
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Video Games
SPORTS
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MULTIMEDIA
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In “The Life of a Showgirl,” Taylor Swift explores everything but loses herself in the process
Arjun Mukherjee
, Opinion Editor
October 22, 2025
REVIEW: Shawn Mendes is “On The Road Again”
Grace Huggins
, A&E Editor
October 14, 2025
REVIEW: Conan Gray’s ‘Wishbone’ illustrates heartbreak through fiction and feeling
Ben Dane
, Assistant A&E Editor
September 16, 2025
REVIEW: Dominic Fike’s ‘Rocket’ Takes Off
Kiera Silvia
, Photo and A&E Editor
September 8, 2025
50 Years after its release, “Clube Da Esquina” is still remarkable
Lucas Campos
, Staff Writer
June 12, 2025
‘At the Beach, In Every Life’: Gigi Perez’s debut album is heartbreak you’ll want to feel
Maci Iannarelli
and
Zoe Schimmoller
May 30, 2025
Bon Iver’s “SABLE, fABLE” delivers emotion and evolution
Ben Dane
, Staff Writer
May 22, 2025
Playboi Carti’s ‘I AM MUSIC’ has big sound but falls short of polished comeback
Robert Narris
, Senior Staff Writer
May 7, 2025
REVIEW: Weezer’s ‘The Blue Album’ still rocks as nerdy, no-skip classic
Maci Iannarelli
, Senior Staff Writer
April 2, 2025
REVIEW: Album ‘Mellon Collie And The Infinite Sadness’ celebrates 30th anniversary, still as good today
Kiera Silvia
, Assistant Photo and A&E Editor
March 27, 2025
REVIEW: ‘So Close To What’ comes so close to perfect, but falls short
Arjun Mukherjee
, Assistant Opinion Editor
March 25, 2025
REVIEW: Divorced dads know, ‘Iron Maiden’ holds up
Zoe Schimmoller
, Assistant A&E Editor
February 14, 2025
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