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REVIEW: Lovejoy sharpens, refines new sound on heavy EP ‘Wake Up & It’s Over’
Hanne Brabander
, A&E Senior Staff Writer
June 1, 2023
REVIEW: Taylor Swift’s third night at Gillette leaves fans ‘Enchanted’
Hanne Brabander
, A&E Senior Staff Writer
May 22, 2023
REVIEW: Rihanna delivers captivating Super Bowl performance
Arielle Chin
, Assistant Opinion Editor
February 23, 2023
REVIEW: The 1975’s ‘Being Funny in a Foreign Language’ cultivates sound of nostalgic reinvention
Hanne Brabander
, Staff Writer
January 27, 2023
Top 5 Christmas songs
Zoe Manousos
,
Kate Michel
, and
Ananya Pandit
December 19, 2022
REVIEW: Taylor Swift explores new sound in ‘Midnights’
Katherine Wu
,
Riya Mahanta
, and
Kate Michel
November 3, 2022
New week, new music: Friday, Oct. 21
Zoe Manousos
, A&E Editor
October 28, 2022
New week, new music: Friday, Oct. 14
Zoe Manousos
, A&E Editor
October 21, 2022
New week, new music: Friday, Oct. 7
Zoe Manousos
, A&E Editor
October 14, 2022
REVIEW: Sawayama shines on sophomore album ‘Hold The Girl’
Ava Arcona
, Assistant News Editor
October 4, 2022
REVIEW: JID pours heart into ‘The Forever Story’
Luke Utzschneider
, Assistant Online Editor
September 19, 2022
REVIEW: Kendrick Lamar self-reflects in emotional return to rap
Ava Arcona
, Staff Writer
June 9, 2022
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